- Abraham Ravett (Hampshire College)
- Adrienne Mancia (Brooklyn Academy of Music)
- Alan Berliner (filmmaker)
- Alana Miller (Pratt Institute)
- Albert Steg (Center for Home Movies)
- Alexandra Frank (NYU Cinema Studies)
- Alexandria Teague Schneiter-Todd (University of Amsterdam P&P)
- Alice Moscoso (NYU Libraries)
- Alicia Kubes (NYU MIAP)
- Alison Griffiths (Baruch College, CUNY)
- Alyssa Diaz (graphic designer)
- Alyssa St. Vincent (Steamroller Productions)
- Amy Gallick (Library of Congress)
- Amy Jo Damitz (The New School)
- Amy Sloper (Harvard Film Archive)
- Andrea Callard (artist/filmmaker)
- Andrea Leigh (Library of Congress)
- Andrew Lampert (Anthology Film Archives)
- Andy Ditzler (Frequent Small Meals, Atlanta)
- Andy Uhrich (NYU MIAP)
- Ángela López Ruiz (Fundación de Arte Contemporáneo, Uruguay)
- Ann Horton-Line (Yale Film Study Center)
- Ann Harris (George Amberg Film Study Center)
- Anna McCarthy (NYU Cinema Studies)
- Anne Major (University of South Carolina)
- Anne Wells (Chicago Film Archive)
- Annette Melville (National Film Preservation Foundation)
- Annie Berman (filmmaker; Women in Film and Video New England)
- Annie Hardy (University of Montreal)
- Anoosh Tertzakian (photographer)
- Antonella Bonfanti (George Eastman House)
- Antonia Lant (NYU Cinema Studies)
- Arlene K. Witt (independent researcher)
- Ashley Swinnerton (NYU MIAP)
- Becky Lewis (Columbia, SC)
- Ben Moskowitz (NYU Libraries Preservation Dept.)
- Ben Strassfeld (NYU Cinema Studies)
- Ben Tucker (George Eastman House)
- Bill Brand (BB Optics; Hampshire College)
- Bill Morrison (Hypnotic Pictures)
- Bill Morrow (Footage File)
- Bill Seery (Mercer Media / Standby Program)
- Bill Simon (NYU Cinema Studies)
- Blaine Dunlap (Southeast Video Preservation Center, New Orleans)
- Bob Strauss (The MediaPreserve)
- Brenda Flora (University of New Orleans)
- Brian Belovarac (Janus Films)
- Brian Graney (University of Buffalo; CHM)
- Brian Real (University of Maryland)
- Brigitte Paulowitz (reto.ch Ltd)
- Brittan Dunham (NYU MIAP)
- Brittany Gravely (Documentary Educational Resources)
- Bryce Renninger (Rutgers/indieWIRE/Newfest)
- Buckey Grimm (independent researcher)
- Caitlin Hammer (NYU MIAP to be)
- Callie Angell (Whitney Museum of American Art)
- Candace Ming (NYU MIAP)
- Carol Radovich (Rockefeller Archive Center)
- Caroline Martel (filmmaker, Montreal)
- Carolyn Faber (Flaxman Library, School of the Art Institute of Chicago)
- Charles Edward Rogers (UCLA MIAS)
- Charles Musser (Yale University)
- Chris Lacinak (AudioVisual Preservation Services)
- Chris Straayer (NYU Cinema Studies)
- Christian Dimitriu (FIAF)
- Christopher Jaynes (NYU Cinema Studies)
- Cindi Rowell (Middle East International Film Festival, Abu Dhabi)
- Claudy Op den Kamp (Transtechnolocy Research group, Plymouth, UK)
- Colin Beckett (Cinemascope)
- Craig Kridel (University of South Carolina)
- Cullen Gallagher (NYU)
- Dan Drasin (filmmaker)
- Dan Streible (NYU & Orphan Film blog)
- Dana Polan (NYU Cinema Studies)
- Daniel Eagan (writer)
- Daniela Bajar (Nantucket Film Festival)
- Danielle Ash (filmmaker, Helen Hill Award recipient)
- David Brodeur (Film Love)
- David Burch (Atlas Media Corp.)
- David Callahan (New York Public Library)
- David Emrich (Postmodern Company)
- David Everard (Schueler-Everard Film and Photograph Preservation)
- David Francis (Indiana University)
- David Phelps (L Magazine)
- David Schwartz (Museum of the Moving Image)
- Debashree Mukherjee (NYU Cinema Studies)
- Dennis Lim (Moving Image Source)
- Devin Orgeron (North Carolina State University)
- Diana Little (The MediaPreserve)
- Dirk Van Dall (Broadway Video Digital Media)
- Don Crafton (University of Notre Dame)
- Donald Sosin (pianist/composer)
- Douglas Goodwin (CalArts)
- Douglas McLaren (Music Box Theater, Chicago)
- Drake Stutesman (Women's Film Preservation Fund)
- Dwight Swanson (Center for Home Movies)
- Ed Guerrero (NYU)
- Ed Pastorini (101 Crustaceans)
- Edward O. Bland (filmmaker/composer, The Cry of Jazz)
- Eileen Bowser (curator, film historian)
- Elaine Brennan (collaborative pianist, Dublin, Ireland)
- Elaine Charnov (NYPL)
- Elaine Summers (Experimental Intermedia Foundation)
- Elena Brodie-Kusa (independent)
- Elena Rossi-Snook (New York Public Library for the Performing Arts)
- Elias Savada (Motion Picture Information Service)
- Elise Nakhnikian (Slant Magazine)
- Eric Breitbart (filmmaker)
- Eric Kohn (NYU)
- Eric Legendre (Montreal,archivist-researcher )
- Erik Piil (NYU MIAP)
- Esther B. Robinson (Danny Williams Film Preservation Project)
- Fran Bowen (Trackwise)
- Fred Barney Taylor (Maestro Productions)
- Gemma Perretta (Northeast Historic Film)
- George Stoney (filmmaker, NYU Kanbar Institute)
- George Willeman (Library of Congress)
- Grace Lile (Witness.org)
- Greg Pierce (Andy Warhol Museum)
- Greg Wilsbacher (USC MIRC)
- Gregorio Rocha (filmmaker, Mexico City)
- Guillermo Zabaleta (Fundación de Arte Contemporáneo, Montevideo)
- Gustav Deutsch (loop media, Vienna)
- Gypsye Legge (East Carolina University)
- Hadi Gharabaghi (NYU)
- Hanna Schimek (loop media, Vienna)
- Hayley Roberts (NYU Public History)
- Heide Solbrig (Bentley University)
- Heidi Rae Cooley (University of South Carolina)
- Hope Tucker (Middlebury College)
- Howard Besser (NYU MIAP)
- Hyunjin Ahn (UCLA MIAS)
- Immy Humes (filmmaker)
- Inés Toharia Terán (United Nations Film/Video Archive)
- Iris Lee (grphic designer)
- Isabel Muruzábal Lamberti (NYU/Amsterdam)
- Jacqueline Stewart (Northwestern University)
- Jan Olsson (Stockholm University)
- Jane Gaines (Columbia University)
- Janelle Blankenship (Univ of Western Ontario)
- Janine Lieberman (independent)
- Jay Schwartz (The Secret Cinema)
- Jayson Walls (Walt Disney Studios)
- Jeanne Houck (Abraham Lincoln Brigade Archives)
- Jeanne Liotta (U of Colorado Boulder)
- Jeff Capp (Gartenberg Media Enterprises, Inc.)
- Jeff Lambert (NFPF)
- Jeff Martin (Independent Media Arts Preservation Inc.)
- Jeff Richardson (NYU)
- Jeffery Masino (Flicker Alley LLC)
- Jen McCreery (Queens College)
- Jennifer Blaylock (NYU MIAP)
- Jennifer Horne (Catholic University)
- Jennifer Mohan (MediaNet Digital)
- Jennifer Saparzadeh (Hampshire College)
- Jennifer Zwarich (NYU Cinema Studies)
- Jessica Frank (Whirlwind Pictures)
- Jessica Rosner
- Jessica Storm (UCLA MIAS)
- Jim Bittl (NYU)
- Jim Lindner (Media Matters LLC)
- Jim Supanick (Pratt Institute)
- Jiří Horníček (Czech National Film Archive)
- Joachim Schatz (Ludwig Boltzmann Institute for History and Society)
- Joanne Bernardi (University of Rochester)
- Jodie Mack (Dartmouth College) Helen Hill Award recipient
- Joseph Gallucci (NYU MIAP)
- Josetxo Cerdan (International Documentary Film Festival of Navarra Punto de Vista)
- John Klacsmann (Colorlab)
- John Mhiripiri (Anthology Film Archives)
- John Migliore (The Kitchen)
- John Pettit (Urban Archives, Temple University)
- Jon Gartenberg (Gartenberg Media Enterprises, Inc.)
- Jonah Volk (NYU MIAP)
- Jonas Mekas (Anthology Film Archives)
- Jonathan Auerbach (University of Maryland)
- Jonathan Kahana (NYU Cinema Studies)
- Jonathan Marlow (San Francisco Cinematheque)
- Juan Salas (NYU History Dept)
- Judith Miller (Valparaiso University)
- Julia Gibbs (Univ of Chicago Film Studies Center)
- Julia Nicoll (Colorlab)
- Julia Noordegraaf (University of Amsterdam)
- Julia Zay (The Evergreen State University)
- Julie Hubbert (University of South Carolina)
- Julie Buck (Columbia U)
- Jungyun Oh (NYU MIAP)
- Kae Ishihara (Film Preservation Society, Tokyo)
- Kara Van Malssen (NYU APEX-Ghana; + National Digital Information Infrastructure and Preservation Program)
- Karan Sheldon (Northeast Historic Film)
- Karen Gracy (Kent State University)
- Karen Lund (Library of Congress)
- Karin Fest (Film.Stadt.Wien-Project, Austrian Film Museum)
- Kate Pourshariati (Penn Museum)
- Katie Trainor (Museum of Modern Art)
- Kathy Dudding (New Zealand film archivist/filmmaker)
- Katrina Dixon (Northeast Historic Film)
- Katy Martin (Katy Martin Studio)
- Kelli Hix (Country Music Hall of Fame and Museum)
- Ken Eisenstein (Boston U; Emerson College; Univ. of Chicago)
- Ken Fox (Selznick School of Film Preservation)
- Ken Jacobs (filmmaker)
- Kimberly O'Quinn (researcher)
- Kimberly Tarr (Smithsonian Institution)
- Larry Hembree (Nickelodeon Theatre)
- Laura Kissel (University of South Carolina)
- Laura Major (Colorlab)
- Leah Kerr (UCLA Film and Television Archive)
- Lee Shoulders (Getty Images)
- Lee Tsiantis (Turner Broadcasting System)
- Leo Goldsmith (Moving Image Source)
- Lewanne Jones (Autonomedia)
- Linda Witkowski (Mount Holyoke College)
- Lindy Leong (SUNY Purchase)
- Lisa Gitelman (NYU Media, Culture, and Communication)
- Livia Bloom (Cineaste)
- Liz Coffey (Harvard Film Archive)
- Lori Donnelly (AFI Silver Theatre and Cultural Center)
- Louise Greaves (williamgreaves.com)
- Lucida Pulido (composer)
- Luis Recoder (filmmaker)
- Madeline Matz (Library of Congress)
- Maija Howe (University of New South Wales, Australia)
- Margaret Bodde (The Film Foundation)
- Margaret Ford (NYU)
- Maria Lund (Columbia University)
- Mark G. Cooper (USC Moving Image Research Collections)
- Mark McElhatten (Sikelia Productions)
- Mark Street (Fordham University)
- Mark Toscano (Academy Film Archive)
- Marsha Orgeron (North Carolina State University)
- Martha Wallner (Xchange TV)
- Martina Roepke (Utrecht University)
- Martin Marks (MIT)
- Mary Kerr (The Flaherty)
- Mason Rader (Selznick School of Film Preservation)
- Matt Barry (NYU Cinema Studies)
- Matthew Solomon (College of Staten Island/CUNY)
- May Haduong (AMPAS)
- Meg Labrum (National Film and Sound Archive, Australia)
- Melissa Dollman (Schlesinger Library, Radcliffe Institute)
- Melitte Buchman (NYU Bobst Library)
- Meredith Bak (UC Santa Barbara)
- Michael Cowan (McGill University)
- Michael Ramos Araizaga (UCLA)
- Michael Loebenstein (Film.Stadt.Wien-Project, Boltzmann Institute for History and Society, Vienna)
- Michelle Kelley (NYU Cinema Studies)
- Mike Mashon (Library of Congress)
- Molly Fair (Queens College)
- Molly Wheeler (Yale University)
- Mona Jimenez (NYU MIAP)
- Nancy Cole (consultant)
- Nancy Watrous (Chicago Film Archive)
- Natalia Fidelholtz (Storycorps.org)
- Natalie Cadranel (independent, San Francisco)
- Nate Brennan (NYU Cinema Studies)
- Nava Dushi (Tel Aviv University)
- Nico de Klerk (Film Instituut Nederland)
- Nina Rao (UCLA)
- Noelle Griffis (NYU Cinema Studies)
- Pamela Jean Smith (Pacific Film Archive)
- Paolo Cherchi Usai (Haghefilm Foundation)
- Paul Fileri (NYU Cinema Studies)
- Paul Spehr (The Man Who Made Movies)
- Paula De Stefano (NYU Libraries, Preservation Dept.)
- Paula Félix-Didier (Museo del Cine de Buenos Aires)
- Paulina Suarez-Hesketh (NYU Cinema Studies)
- Peggy Ahwesh (Bard College)
- Peter Bregman (Fox Movietone News)
- Peter Kaufman (Intelligent Television)
- Peter Schwartz (Boston University)
- Rachel Price (UCLA)
- Rachel Wilson (Royal Melbourne Institute of Technology)
- Ramesh Kumar (NYU Cinema Studies)
- Rebecca Bachman (NYU)
- Rebecca Baron (California Institute of the Arts)
- Rebecca Meyers (Studio 7 Arts)
- Rebecca Reynolds (Colorlab)
- Rebekah Rutkoff (CUNY Graduate Center)
- Regina Longo (UC Santa Barbara)
- Richard Abel (University of Michigan)
- Richard Carlson (Kodak)
- Richard Frank (Whirlwind Pictures)
- Richard Koszarski (Rutgers University)
- Rick Prelinger (Prelinger Library and Archives)
- Rob Byrne (San Francisco Silent Film Festival)
- Robert Cargni (Ibrahim Theater, International House Philadelphia)
- Robert Salyer (Appalshop)
- Robert Sklar (NYU)
- Ron Hagell (Royal Holloway, University of London)
- Ron Mann (Sphinx Productions)
- Ron Sadoff (NYU Film and Multimedia Scoring Program)
- Rosemary Rotondi (researcher)
- Russ Suniewick (Colorlab)
- Russell Sheaffer (NYU Cinema Studies)
- Ryan O'Toole (Colorlab)
- Sadie Menchen (UCLA MIAS)
- Sam Bryan (International Film Foundation)
- Sam Kula (archival consultant)
- Samantha Losben (NYU MIAP)
- Samantha Oddi (NYU MIAP)
- Sandra Gibson (NYU MIAP)
- Sara Beth Levavy (Stanford University)
- Sarah French (Bard College)
- Sarah Resnick (Acconci Studio)
- Scott MacDonald (Hamilton College)
- Scott Simmon (UC Davis)
- Scott Stark (filmmaker)
- Sergei Kapterev (Moscow Research Institute of Film Art)
- Shannon McLaughlin (Oxford University Press)
- Siegfried Mattl (Boltzmann Institute for History and Society, Vienna)
- Siobhan C. Hagan (NYU MIAP)
- Skip Elsheimer (A/V Geeks LLC)
- Snowden Becker (UT Austin; CHM)
- Stefan Drößler (Munich Filmmuseum)
- Stefan Elnabli (NYU MIAP)
- Stephanie Sapienza (Los Angeles Filmforum; iotaCenter)
- Stephen Parr (Oddball Film + Video)
- Steve Holmgren (Union Docs)
- Steve Leggett (Library of Congress, National Film Preservation Board)
- Steven Villereal (University of Virgina)
- Sueyoung Park-Primiano (NYU)
- Susan Courtney (University of South Carolina)
- Susan Dalton (film repatriator)
- T. Griffin (film composer, Shiny Little Records)
- Tanisha Jones (NYPL for the Performing Arts)
- Teri Tynes (WalkingOfftheBigApple.com)
- Terri Francis (Yale University)
- Thomas Elsaesser (Amsterdam/Yale)
- Tobias Nagl (University of Western Ontario)
- Tom Regal (Universal Studies Sound - BluWave Audio)
- Trisha Lendo (UCLA)
- Vanessa Toulmin (National Fairground Archive, U of Sheffield)
- Victoria Keddie (artist-archivist)
- Walter Forsberg (NYU MIAP)
- Weihong Bao (Columbia University)
- Yvonne Ng (Witness.org)
- Yvonne Zimmermann (University of Zurich)
- Zack Lischer-Katz (NYU MIAP)
- Zhang Zhen (NYU Cinema Studies)
